The romantically content won't want to go anywhere near it. This is a solid addition to both artists' discographies. While most of these songs are ballads, Babyface rarely pulls out his acoustic guitar - a saving grace for those who tired of hearing it throughout the '90s. "Reunited" is a blissful ballad, but it's followed by the embittered "I'd Rather Be Broke," where Braxton asserts, "Just because your money's strong don't mean you can do the things that you do." Babyface is civil and clear-headed on "I Hope That You're Okay," claiming he "can't go through the motions anymore," but Braxton follows with a solo spotlight, "I Wish," that seems drawn from a different situation: "I hope she creeps on you with somebody who is 22/I swear to God, I'm gonna be laughing at you every day." As a narrative, the album can be hard to follow, but it's not as if breakups have a simple arc with a steady, unwavering decline. From the late 80s to the mid-90s, no single artist owned the R&B and pop charts with a tighter or more fluid grip than Babyface (and his then partners L.A. Screw Barry Manilow-it was Kenneth 'Babyface' Edmonds who really wrote the songs the whole world sings.
#Babyface songs 90s series#
In the latest installment of VH1's long-running series The Greatest, we're going deep. Babyface - A Collection of His Greatest Hits Audio CD Babyface.
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Either that, or the relationship is extremely up and down the singers sometimes sound as if they are addressing ex-lovers from other relationships. We here at VH1 haven't forgotten that the '90s was a decade flush with a number of stone classic R&B tracks. The sequence of songs plays out like scenes on shuffle. "Sweat," a slinking groove, is like the "Love During War" to Robin Thicke's "Love After War," while "Heart Attack," near the album's end, is a retro-disco move that seems more like a throw-in than a crucial part of the album.
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The duo don't seem nearly as connected to them. Tubes 90 - Coco Jamboo, 90s PlayaZ - Baby Baby, Best of Eurodance - My Oh My, - Rhythm Is a Dancer, Pop Hits - Don't Stop the Music, The Cover Crew - Poker Face. The emphasis is on divorce, indicated from the very beginning on "Roller Coaster," where Babyface enters with "Today I got so mad at you, it's like I couldn't control myself." The set finishes with the bittersweet "The D Word," seemingly a Sade homage, in which Babyface confesses "You still own my heart, forever and ever and ever." Moments that deviate from issues of romantic strife are few. Both endured broken marriages, and presumably it's those experiences that inform the material here - a succinct collection of 11 songs, eight of which are duets.
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On Love, Marriage & Divorce, Toni Braxton and Babyface, creative partners going back to the early '90s, rekindle their musical relationship.